THE RED PAINTINGS -
Enderground French Magazine- November 06
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THE RED PAINTINGS -
Drum Magazine - Bar Broadway (Sydney) - June 06.
I'm tempted to describe this band as an "acquired taste",
but I might get arrested for impersonating other music journo's,
(or a schizophrenic food critic). So I'll just say The Red Paintings,
from Brisbane, do take a little time to digest, and one may
be forgiven for thinking they were from a country, or planet,
that we never knew existed. Their music is different, but fascinating
all the same. Donning heavy make-up, Kimonos, wigs, robot appendages,
and blasting out a feast of guitar, violin, cello, bass &
drums, The Red Paintings can be hard to take in all at once.
They slowly drag you away from the bar, lure you in, and slam
the door behind you. Their haunting lyrics and arrangements
play games with your head until Stockholm Syndrome finally creeps
in. I couldnt blink, let alone tap my feet. By the encore I
was totally fucking mesmerised. These guys could have told me
to have sex with the cigarette machine, and i would have, transformed
out of all recognition.
And then a glorius chorus (i think it was a chorus?) springs
out of nowhere, opens the curtains and lets the light pour in!
That split second at a live show where you become so overwhelmed
with inspiration you wouldnt wish for anything else in the world,
totally consumed in the moment. After an epic outro had finished
dangling me around like a puppet, I eventually took control
of my own legs, and walked outside with the highest regard for
The Red Paintings. One of those spooky experiences when you
can't quite figure out what just happened to you, and why you
can't stop smiling. I checked my body for strange marks and
felt for any signs of probing, then looked up at the stars wondering
who or what put me here. It may take a good listen, but I highly
recommend you sit
in a dark corner, and let The Red Paintings take control for
a while.
THE RED PAINTINGS -
DB Magazine - Uni Bar (Adelaide)- Oct 20, 06.
I'd also heard
great things about Brisbane's The Red Paintings, but having
missed them on their previous trips to Adelaide, I wasn't prepared
for the elaborateness of their set. Apparently the band's gear
had been stolen that day. Even worse for them, this wasn't the
first time it happened in Adelaide. Even in the absence of normal
elements of their show, such as their regular onstage painting
sessions, the band put on a visual and aural feast. I personally
heard touches of A Perfect Circle and Placebo, but comparisons
like that are simplistic - The Red Paintings really are a unique
experience all of their own. Alas, it was all over before it
really seemed to kick in. I wanted to hear more. Powerful rhythms,
emotive vocals and expressive strings easily impressed the audience,
playing in front of a capacity audience. And they weren't even
the main act.
Eddie Chan
THE RED PAINTINGS -
Minnesota Daily News - First Avenue - Oct 18, 06.
Indie Aussies
The Red Paintings were recently invited to join the Dresden
Dolls on their tour of Australia and New Zealand and are now
(fortunately for stateside music heads) accompanying them on
their U.S. fall tour as well. The Paintings brought a sci-fi
aesthetic to their driving guitar and drum sound (a bit like
Ladytron meets REM, only harder), and then tempered it with
the elegance of violin and cello (sans cellist this tour). Then
they added sugar on top with their geisha-meets-alien attire
and humans-as-canvas cohorts (volunteers bodies were painted
to the music while film clips of explosions and UFOs were projected
behind them). It was an apt panorama for the songs from their
latest recording, Destroy the Robots. Before the set closed,
Dresden Dolls drum god Brian Viglione added his guitar to their
fittingly brazen cover of the Sex Pistols God Save the Queen....Before
ending a soon-to-be legendary First Avenue main room show, the
dolls were joined onstage by Trash McSweeny of The Red Paintings
for a passionate rendition of Tears for Fears' "Mad World."
Ah, the roar of the greasepaint, the smell of the crowd.
THE RED PAINTINGS -
Faster Louder- Roundhouse (Sydney) - Oct 9, 06.
Shortly after,
The Red Paintings deliver an audio-visual rock assault. While
apocalyptic imagery attacks the eye, and several painters attack
either traditional canvas or more improvised human versions,
the garishly outfitted Trash McSweeney and his geisha-styled
colleagues rip through a spine-tingling set underpinned by the
primal bass of Amanda Holmes and Andy Daviss tight drumming.
Dead Children and Dead Adults are yin-yang perfection of
intensity then quietness while The Revolution is Never Coming
enjoys its own mid-song mini sing-along while Trash thrashes
around the stage manically. They conclude with Trash mesmerising
(perhaps literally) with a fist-sized pocket watch as cellist
Wayne Jennings screams the Alice-in-Wonderland intro to Streets
Came in Through my Window. Surreal stuff.Provocative as ever,
The Red Paintings should stir up US & English audiences
on their forthcoming tour supporting The Dresden Dolls.
THE RED PAINTINGS - 'DESTROY
THE ROBOTS' MESS & NOISE MAGAZINE REVIEW JULY 2006
Having gained a reputation as
one of Australia's most eclectic live bands, Brisbane's The
Red Paintings latest offering does nothing to harm their reputation.
While the man/machine themes might stray a little close to Yoshimi
Battles The Pink Robots, Trash McSweeney's outfit have produced
an EP full of riffs and big choruses you'll be humming while
you rewire your toaster into a pacemaker. The production is
lush and adds a sense of weight to the driving guitars while
strings slither their way through the mix creating a tension
between the futuristic themes and the music carrying them. The
unpredictable arrangements continually breathe life into the
songs, tugging the listener between the subtle breakdowns of
strings and toms and the wall of sound choruses. The title track
builds over a violin and cello theme before exploding out of
the speakers like homemade cluster bombs wired together while
listening to Muse, with the energy levels remaining on overload
throughout the EP
Toby Dundas
THE RED PAINTINGS
- 'WALLS' SPUTNIK REVIEW 2006.
The Red Paintings are a five
piece, Australian arthouse Rock group. They are building quite
a stong reputation with their EP's, and incredibly theatrical
live shows. I've never seen, or heard, of anything like them
on stage before. Walls is their 6th release, and is what I believe
to be their best.
Walls opens the EP wonderfully.
The intro is sad, and helps to set the mood of the EP. The song
is probably the most upbeat on the EP, thanks to the verse/chorus,
but it also has a great little bridge. I love the violin throughout
it.
The Streets Fell Into My Window
is a pretty crazy song. It opens with a narrated reading from
Alice's Adventures in Wonderland. Before long, a tribal sounding
drum beat kicks in, along with swirling background and the reading
becomes similiar to that of a madman. The song flows steadily,
keeping the a drum & bass rythm throughout the verses, and
a Red Paintings style distorted chorus. The end of the song
is cool, with Trash pulling off some cool effects on the guitar,
and "the strings go nuts".
Dead Adults is the successor
to Dead Children. It's a slow building song, with some cool
delay effects throughout the first half of the song. The violin
is fingerpicked throughout that time. After two and a half minutes
the song becomes a little more exciting. What feels like a long
procession of palm muted power chords rises to the songs climax,
before eventually calming to a long outro.
Mad World, originally written
by Tears For Fears, and later covered by Gary Jules, now undergoes
more changes. I honestly believe this is the best version of
the song I've heard. Tears For Fears wrote it like an 80's pop
song, Gary Jules brought out some of the sadness about it, but
The Red Paintings have outshined him here. The acoustic chords
blend perfectly with the chello and violin, and Trash's vocals
are brilliant. The song just seems to have a lot more feeling
than any of the prior versions.
Portrait Of A Dead Soul sounds
pretty cool. The song structure changes every minute or so,
so it doesn't get tiresome. The vocals, strings and guitar dominate
this track, with a distinct lack of Drums and Bass, something
the band seems to do often. Nice easy listen really.
Walls (Alternative Ending) is
pretty much what the title says. It's Walls, but the ending
is extended with a continuation the last a minute or so longer
than the first version.
Signals From The Frontier is
a rather alien sounding track. It reminds of Radioheads No Suprises
a little. It begins with plenty of spacey effects and a radio
transmission describing the solar system. It continues as so,
but just gets a little weirder as it procedes. It also has an
annoying buzzing sound throughout the track.
Overall - The EP is pretty darn good. If your looking for something
thats going to impress you with technical ability, don't bother.
However, if your looking for an excellent easy listen, and are
a sucker for the Violin, pick it up. Every song is very listenable,
with the first 5 tracks being outstanding. Four stars.
G, Macintosh. http://www.sputnikmusic.com
THE RED PAINTINGS
- ELEVEN MAGAZINE- Brass Monkey - Oct 29, 05.
The Red Paintings are a breath
of fresh air. Theres a lot of good music out there in the indie
scene, but most of it is loose guitar rock, to be very general
about it. The Red Paintings dare to be different , which opens
them up to criticism and kicks those same critics arse, when
these independent souls find a following. Its fine to be different,
but its great to be good. And The Red Paintings are very good
indeed. Trash McSweeney is lead vocalist, guitarist and major
songwriter and hes a legend. He was clad on this night in pyjamas
and dressing gown, and he led the orchestral rock ensemble magnificently.
Although this was a toned down set, with acoustic guitar and
no drums, the music lost no power and the band still dressed
up in their traditional Japanese outfits and had intriguing
black and white films playing behind them. One of which was
of the alien autopsy at Roswell in 1947. Excellent. For me
the highlights of the set were the song Dead Children and their
absolutely stupendous cover of the Tears for Fears track, Mad
World. Both sent shivers
up the spine.
A special mention must go to
the girl who paints a picture as the band
plays. She sets up facing the band, right down the front. Her
finished
piece was beautiful, so was the music, ah
Ben Woods
THE RED PAINTINGS
- MARK RYDEN IN WONDERLAND SHOW - The Globe Sept 24, 05.
The Red Paintings are fucking
amazing. Their drums, bass, guitar, cello and violin line-up
is different in itself, but combine the dramatic rock and elegant
strings with powerful elements of stage theatre, and youve
got absolute magic unfolding to their empowering or-chestration.
The show is themed on American art-ist Mark Ryden; the band
are dressed up as characters with stage props from his paintings,
there are people painting canvas and human flesh. Theres so
much going on it could all very easily turn into a debacle,
but under the guide of charm-ing frontman Trash McSweeney (who
looks disturbingly pretty as a princess) the focus is on the
music. Classily turning imagination to reality, The Red Paintings
are genius.
JADE PHAM, RAVE MAGAZINE, 27/09/05
THE
RED PAINTINGS - 'WALLS' SYDNEY HERALD REVIEW (Sony/BMG)*****
The Red Paintings will take you to Wonderland
and back with their psychedelic rock.
Flamboyance and artistic ambition aren't a problem for this
Brisbane five-piece. Big ideas, big sounds, quirks that could
turn into full-blown eccentricities and the temptation to overreach
are the order of the day. Live, they have a reputation for outrageous
costumes, theatrical side plays and galloping enthusiasm. You
can sense all of this in the seven songs of this EP. The title
track, which opens the show, edges into the room with violin
and a slow drum roll. Yet before the first minute is over, those
drums are rattling and the guitar is chasing them down, while
singer Trash McSweeney vaults over it all.That's merely a taster
for The Streets Fell into My Window, which starts with a precisely
enunciated reading from Alice's Adventures in Wonderland and
then builds a threatening mood that periodically explodes in
the kind of heavy bursts you might find on a System of a Down
album.This is psychedelia the way it's meant to be: not trippy-dippy
and "wow, look, the sky is orange", but cascading
elements of power and whimsy treated equally. A place where
an orchestra, classical guitar and pirate-ship analogies appear
in a song about losing hope when families fracture. Where a
sample-driven track such as Signals from the Frontier starts
to sound like incipient madness in space. Where no emotion is
left to walk unaided. It's why Walls fits neatly on the shelf
next to recent hyper-dramatic releases by the likes of the Decemberists
and Arcade Fire, providing a flair for the florid that is all
too easily washed away by fear in so many other bands. That
would be fear of failing, but also fear of looking foolish,
which is a bigger killer of art. There's no fear here.
By Bernard Zuel - SYDNEY MORNING HERALD
July 8, 2005
THE
RED PAINTINGS - 'WALLS' TSUNAMI MAG REVIEW (Sony/BMG)
My first Red
Paintings experience was at the Valley Fiesta, where just like
every one else in the audience, I was hypnotized by the emotion
not only in the music but in their art. Dressed as Geisha outfits
and alien suits the band is well known for their out there performances
while the music is a mish mash of psychedelic/rock/art/orchestral.
The Red Paintings are like no other band on the planet. Like
a highly contagious disease, their sound moves through your
body fast, leaving you addicted and not only wanting, but needing
more. If you havent experienced The Red Paintings yet, I suggest
you have a listen to their new cd walls and discover what
everyone is talking about..
TSUNAMI MAGAZINE - (STORM)
JUNE EDITION 05.
THE
RED PAINTINGS - 'WALLS' MIXDOWN REVIEW
Titled Walls,
the latest EP from Brisbane experimental art rock act The Red
Paintings is nothing short of an amazing postmodern multicultural
artistic masterpiece. With 7 tracks. the EP seems to provide
a form of social commentary that is brought forward by a mind-blowing
and elaborate arrangement, including the interesting use of
a string ensemble and delay. Perhaps the most intriguing track
is The Streets Fell Into My Window, which references Alice in
Wonderland but is actually rumoured to be a song about the recent
tsunami disaster.Available in all stores through Sony/BMG you
must catch The Red Paintings live around Australia during the
month of June.
AUST MIXDOWN MAGAZINE
JUNE EDITION 05.
THE
RED PAINTINGS - 'WALLS' EP REVIEW
For those of
you already familiar with The Red Paintings, chances are you
have already made up your mind about whether ths new 7 track
EP is of any interest to you. The diverse orchestral Sci-Fi
Art Rockers, led by Trash Mcsweeney, have crafted a unique vision
of anguish which can go from light and orchestral to plain manic
at the bat of an eyelid. Excellently executed "Walls"
paints a deranged picture which features cellos, loud guitars
and vocals so pepetually angsty, they manage to make Ian Curtis
sound like Jack Johnson. Divisiveness aside. Its reassuring
that theres a band with a vision this unique lurking in our
humble cities.
Yuri - Koskov-Koskov
SCENE MAGAZINE
MAY - 25TH - 05.
Alice
In Wonderland Show
The
Red Paintings, The Follow, Seaplane
The Zoo, January 27
The Red Paintings' Alice in Wonderland party
got of to the solid start with Seaplane and The Follow, but
it quickly became obvious that the growing, eager crowd was
there to witness The Red Paintings. This gig happened to be
the last full stage show before the band heads to China and
Hong Kong, where they will take their unique brand of music
overseas for the first time. The show kicked off in character,
and whilst their Chellist narrated the beginning of Alice in
Wonderland, lead singer trash emerged from a model doll house
and the band quickly jumped into a musical and artistic enlightenment.
TRP delivered another of their trademark shows, fit with haunting
lighting, disturbing paintings and the band's apocalyptic sound;
resonating themes of death despair and betrayal mixed with both
sci-fi and down-to-eart premises. Between songs Trash spoilt
his audience with prizes and edible treats, and further entertained
them with tales of their BDO (including bass player Bo's activities
at the after party). The highlight of the night has to be their
cover of Gary Jules' 'Mad World', complete with TRP's unique
tinge and complete audience participation.
NATE SHEA
TSUNAMI MAGAZINE
FEBURARY 05
BIG DAY
OUT '05 - GOLD COAST
JANUARY 23 - Tsunami Magazine Review
"...Sporting
an opp shop monstrosity of a dress and pausing to be painted
halfway through his set, The Red Paintings mastermind Trash
was quite obliviously put of his mind and went impressively
beserk. Loving life on the Green stage, The Red Paintings concluded
their Nirvana - on - acid - with - strings performance by smashing
a painting and hurling china dolls into the audience..."
TSUNAMI MAGAZINE
FEBURARY 05
BIG DAY OUT '05
- GOLD COAST
JANUARY 23
The
Red Paintings open the Green stage, bravely combating the heat
in full costume, but, as always, delivering an imaginative and
unfettered psychedelic/orchestral/art/rock performance. Sometimes
they verge a little too far into histrionics, but its great
to see a band sticking their necks out and doing something really
creative and challenging.
TIMEOFF
MAGAZINE
JANUARY, 25TH 05.
THE RED PAINTINGS-
'YOUR TEARS ARE WARNING SIGNS' ALBUM REVIEW
October ' 04
Cry me a river,
Like a Virgin Mary
The Red Paintings
have always done things a little differently. Their live shows
aim and succeed at being bigger, bolder and riskier than what
other local bands even contemplate. And with this new album,
the boldness and the risks keep coming. The 11 songs here were
all recorded live for a 4zzz session a few months ago with a
stripped down version of the band. Absent are the drums, bass
and all the epic rock theatrics and in their place are cello,
violin and main man Trash McSweeney playing acoustic guitar
and singing. Presented in this strings format, the songs are
as equally impressive as in their usual explosive live incarnations.
Seeing and hearing them as just bare bones reveals the strength
and originality of the song writing and the talent and beauty
in the playing.Their recent single Rain should have been a huge
smash hit and the acoustic version here is a true highlight
alongside other great darkly melodic treats like Dead Children,
Stackhat, Cinema Love and The Cancer Song. The Red Paintings
sing that The Revolution Is Never Coming but let's hope that
their musical revolution comes soon. They're a band who deserve
to have their risk rewarded.
RAVE MAGAZINE
OCTOBER 04
THE RED PAINTINGS-
ALBUM LAUNCH
The Rev, Sept 23rd '04
You don't just go to a Red Paintings
gig, you enter their inter-planetary world. welcome to the art
gallery, here's some sushi, the performance will start soon,
dont the alien visuals freak you out. When the rock began, The
Red Paintings unleashed their album load of great tracks in
brilliant but dark brush strokes. Each song was played with
a determined passion swinging emotionally from frenzy to beauty
and back again. As gorgeous as the geisha girls were, they couldnt
compete with the lead singers mid-song costume change into a
ball gown and horse mask. Its art baby.
JACQUELINE YOUNG
TIMEOFF MAGAZINE
SEPTEMBER , 27TH 04.
THE VALLEY FIESTA - BRISBANE
August 9 - 11th '04
".....with darkness down,
The Red Paintings shined the light for innovative
rock with a stunning multi-textual performance. They were easily
the most original impressive band of the fiesta. By now the
street had flooded with a solid sea over 10,000 bodies going
nuts for the Hiltop Hoods. As hundreds clambered
on top of any vantage point, thousands in the nose bleed section
up the back settled for just hearing the beats...." (etc)
ZAC BLACK & JACKSON YOUNG
RAVE MAGAZINE
JULY, 13TH 04.
THE
RED PAINTINGS - RAIN SINGLE REVIEW
Auspicius summation of
Brisband band's strengths.
While their
live shows have garnered a considerable reputation for their
brave mix of angular art-rock, trippy, often disturbing visuals,
local artists who paint a canvas on stage while the band plays
and band members in china-doll costumes, the Red Paintings'
self-described 'orchestrated sci-fi art-rock' has yet to be
caputered definitively on disc. Until now. This EP takes the
harsh brutality and unusual instrumentation (voice, guitar,
drums, bass, violin & cello) of their live incarnation and
bleeds everything together in an imaginative, evocative, swirling
vortex. The title track is an unpredictable rollercoaster ride
through leader Jamie Barrett's psyche - all dark corners, sudden
violent outbursts and moments of great beauty. The Cancer Song
is darker still, but still gorgeous with its nauseous, see-sawing
string lines that build climactically. Just People And Leaves
is a more compact, poppier proposition with a lovely psychedelic
interlude. There aren't many bands around with a vision as singular
as the Red Paintings - how cool it is then that they're in our
own back yard.
BRETT COLLINGWOOD
RAVE MAGAZINE
MARCH 04
THE RED PAINTINGS
CHILDREN BENEFIT
The Zoo, August 14th '03
Arriving midway through DJ Turdmastershites set,
we experiened a very creative DJ who spun some great tunes as
the lights dimmed and The Red Paintings set began. A white light
appeared with projections of a boy being followed by a red balloon
and a screen appeared at the front of the stage, silhouetting
lead vocalist/ guitarist Jamie Barrett, who, dressed as a china
doll, was singing and playing a sequencer with a female cellist
behind him. I looked around me and people were spell bound.
Then the rest of the band came on the whole stage came alive.
7 painters appeared from the back of the stage, painting in
front of the band against backdrop visuals of time warps, UFO's
and Scott & Sharlene. Theatrics, art, seizures, bodypaint
and poewrful, amazing song; I read somewhere that these guys
had found a new genre of music - sci fi orchestrated art rock
- I'm convinced it's true. All proceeds from this show went
to the Royal Children's Hospital.
JUSTIN MCLEAN
TSUNAMI MAGAZINE
SEPTEMBER 03
THE SLEEP JACKSON/
THE RED PAINTINGS
The Zoo- Thursday Jul 17 '03
If ever
there were two bands suited to play the graffiti n' postered
confines of The Zoo, this was them.
The Red Paintings are up from Melbourne to paint Brisbane red,
and this they did. Imagine if you will, a angst-flavoured, out-there
rock group fronted by bottle green dress- wearing eccentric
Jamie Barrett, flanked by a be-gladiator costumed bassist, a
kit drummer and from the left-field, beautifully poised cellist
Catherine. Combining elements of alternative rock, conservatorium
technique, and footie culture, this is a band that like to dress
up, who musically purge themselves on stage and who are visually
striking, avant-garde even, complete with live painters. The
Red Paintings are a band you have to see, hear and feel to believe.
Ah, the Sleepies.
I've been in love with Lovers (their new album) since its very
release, so to hear the full on delicious, three part falsetto
male harmonies, beatles-flavoured jangle-jams and beautiful
prose-laden songs live was a real treat. They served to frame
Mr Steele, who smack bang in the middle, pulled every rock move
known to man, Going over the top experimental in one instance,
cutting into his strings with a knife and fork, which was up
there with the Mercury rev saw and bow. Steele reminded me of
a child on red cordial, and despite a minor tech-tantrum (which
saw the sessation of music for a good 10 minutes), his genius
was tangible.
Kudos to the
lovely Grant for finding my lens cap x.
SKYE
TSUNAMI MAGAZINE
AUGUST 03
THE RED PAINTINGS-
HALLOWEEN SHOW
The Nash (Geelong)- Thursday Oct 31st '02
I arrived at the Nash, and realized oh shit I forgot my costume,
but I look like a freak anyway so I fitted in quite well. Its
been a while since id seen The Red Paintings live, I was quite
blown away when seeing the act for the first time , I never
heard anything like these guys before and after tonights show
I realize just how special this band really is, just truly amazing.
Anyway the night went like this..........
I walked into
the groove room some time after 12 with the support band closing
up there set, they sounded not so nice to my ears and the room
was quite empty. All the punters were lining up outside and
seemed to be waiting for TRP to hit the stage.
The show started
around 1am, and the room started filling up, TRP started with
this strange light show, and movie projector of live executions,
I knew then that this was going to be one very creative night,
the members came out in there Halloween costumes to the music
of the 'ROCKY HORROR PICTURE SHOW", very funny, then the
start of Seeds, the violin takes hold of your heart and lifts
you to another place, wow the energy that comes out of these
songs truly blows you away, people were in awe. Through the
set there were some of the most amazing visuals I have ever
seen, then after Angel Flummox Jesus appeared on a cross, and
everyone stopped, just complete silence in the room, then crazy
boy (TRP lead Vocalist) started a song called Hong Kong oh boy,
such a powerful song, and oh so true.
The vocals,
guitar and violin unite so well I cant imagine The Red Paintings
with out either 2. Great to see the bands new drummer, hes
slotted in quite well.
Then the next
thing I know, theres a girl eating the Halloween pumpkins and
spitting the pumpkin pieces over the band and on to the crowd,
crazy. Ive heard these guys quote their genre of music as "Orchestrated
Sci-fi Art rock" and I agree, its a perfect description.
If thats the goal of this composition then there headed in
the right direction.
Where do they
get all those crazy sounds from, Id love to know? Its like
the sci-fi sounds paint there own picture in your mind. Oh,
I mustnt forget the band had a painter beside them painting
the music on canvas, what the? Like I said earlier, I was in
for a very creative night.
The band finished
with a new song I believe called I'll pay for your silence.
What a song! Whats so good about this band is that every song
they play sounds so different. No two seem the same, truly an
original act that seem to stand out from the others, they stand
for something real.
Why these guys
are not playing in our summer Festivals stumps me, or maybe
I shouldn't speak so soon..?
So the band
finishes in true Red Paintings style with the aliens running
around as a backdrop on stage, the room was still full off punters,
but unlike any other gig Ive been too, everyone one was so
uplifted, there was such a positive energy in the room, people
hugging one another, just being on the same level, it felt great.
Thank you, The
Red Paintings, for a Halloween night I will never forget, and
to all lovers of original music if u hasnt seen The Red Paintings,
then you are missing out on a pure experience....
FORTE MAG, OCTOBER '03
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